[Nota Bene: IAS is pleased to present our first article from a Society Affiliate — Mr. Mauro Carapacchi of of Rieti, Italy. A founder of the group Mos Ferri, Mr. Carapacchi first encountered Fiore dei Liberi through the realm of historical reenactment. Today he works to understand the martial art of Armizare, with a particular interest in armoured combat. He maintains his own blog, where he has provided a free translation of the Gladiatoria Manuscript into Italian. — ed.]
Under the name “Gladiatoria” we can identify a group of early XV century manuscripts covering the art of fighting in armour, joined by stylistic form of pictures and some technical peculiarities.
Continue reading Fiore dei Liberi and the Gladiatoria Tradition — A Comparative Analysis
(c) Gregory Mele, 2014
Today’s researchers into the martial arts of Europe come upon a strange paradox: our first known source, Ms. I.33, now found in the Royal Armouries in Leeds, UK, is dated to approximately 1300, yet clearly not only possess a systematic, full-developed pedagogical system, but is seemingly designed to counter an even older, “common method,” now lost to us. We then run into a gap of nine decades before our next source, Ms. 3227a (c.1389), found in Nuremburg, Germany. This is our first source in the “Liechtenauer Tradition”, and which opens with the following bold claim:
At first, you should note and know that there is only one art of the sword, and this art may have been developed some hundred years ago. And this art is the foundation and the core of any fencing art and Master Liechtenauer understood and practiced it in its completeness. It is not the case that he invented this art – as mentioned before – but he has traveled many lands, willing to learn and experience the same real and true art.1
Continue reading The Mystery of Ioannes Suuenus and Nicholai de Toblem