The International Armizare Society is a confraternal association concerned with the restoration, preservation and transmission of canonical Armizare as a complete, traditional, but living and functional martial art.
To this end, we have established both a four-grade ranking system derived from the historical fencing guilds and a modern certification process for creating Armizare instructors. This process is meant to be open and transparent, and is discussed at length elsewhere on this website.
As a body of inter-connected schools, when developing this system, the founding members felt it important to allow and encourage member bodies to maintain their own sense of creativity, innovation and expression in how they developed their internal curriculum and approach to training. For this reason, you will note that the lower grades of Scholar and Free Scholar have only broad-based requirements and are awarded internally by the member school. This has worked well for older, more-established schools.
However, our first and foremost task is to educate and since the Society “went live” we have had a number of small study-groups and “at-large” members join specifically because they are looking for a structured way to train, let alone teach. For these folks, we have the IAS Core Curriculum, which is derived from that developed and used in Member academies and provides a lingua franca for the Society.
The IAS Core Curriculum is built around a pedagogical method that embeds Fiore dei Liberi’s own within a structure derived from the creators’ experiences in traditional martial arts, modern fencing, and best-practices in contemporary education theory. The evaluation process is already discussed at length elsewhere, what concerns us here are the physical components of the curriculum, which include Solo Drills, Set-Plays and Training Sequences.
Solo drills are used to teach the fundamental skills of Armizare —balance, body-mechanics, footwork, cutting, and thrusting. Examples include: air-cutting, pell-work, and slow motion and full speed footwork drills. The solo drills instill in the student the “alphabet” of historical swordsmanship.
Solo drills in the sword curriculum are comprised of two types: Cutting Drills and Assalti.
- The Cutting Drills are designed to teach students the underlying body mechanics behind executing fendente, sottani, thrusts and how to apply them as defensive covers; each of the drills forms the basis for a set of two-person Set-Plays (see below). There are three, four-step cutting drills in the Core Curriculum. When turned into paired drills, they create the 12 longsword set-plays used in the curriculum.
- Assalti are solo “forms” that are meant to give a student a routine for memorizing a variety of actions. The two forms used at this level include a Posta Progression for learning the various guards of the sword, and a Scholar Assalto or Universal Form which is a summary of all of the basic defenses used with the spada a dui mani. (The Scholar Assalto is adaptable to any long weapon used in the art, creating a “jumping off point” for students to take up a new arm, as will be seen at later levels in the curriculum.)
Set-plays are pre-planned sequences of attack and defense, derived directly from the historical source material. They are used to teach fundamental techniques in a way that will encode them in the student’s muscle memory. Once the set play has been memorized, students can then vary the distance, timing and rhythm to further explore how the techniques can be applied. Set-plays essentially use the “alphabet” of the solo drills to create “sentences”.
Set Plays in the Core Curriculum are taken from the various copies of the Flower of Battle, and correspond to the three primary areas of training: abrazare, dagger and sword. The rationale behind each section is as follows:
- Abrazare Set-Plays are taken directly from the single Remedy and follow-on plays left by Fiore dei Liberi. When looked at en suite, the first six plays provide a fundamental lesson of how to use and apply the Remedy, responding to pressure in the bind, adapting to changes in measure if the Companion presses in or flies-out, and a basic Counter.
- Likewise, Dagger Set-Plays are comprised of the basic cover and response taught by Fiore dei Liberi for each of his Nine Remedies, giving students a broad knowledge of how the master conceptualized dagger combat.
- Finally, the Longsword Set-Plays focus on actions in zogho largo, particularly how to defend in tempo from the core poste as an attacker breaks measure. As such, they derive from two sources: the detailed instructions the Master provides for each posta (the First Master of Battle), and the instructions for coming to the bind and countering thrusts found in the plays of zogho largo.
This term is used to mean extended set-plays comprised of linking a series of basic set-plays using Fiore dei Liberi’s pedagogical model of Posta > Remedio > Contrario > Contra-Contrario. There are training sequences in the curriculum for abrazare (one), dagger (two) and longsword (four).
USING THE CORE CURRICULUM
Society members have access to an extensive library of hand-outs, essays, articles and videos instructing the various components of this curriculum, at no cost beyond their annual membership fee.
You can see an example video of one of the three core cutting drills here:
As well as one of the “detail videos”, expanding upon the drill:
All IAS Affiliates are welcome to either use the Core Curriculum as “plug and play” in their classrooms, or as a foundation for developing their own. However, as the drills form a pedagogical, technical, tactical and interpretive foundations for later levels, the Society recommends that all Affiliates interested in rank-testing are at least familiar with the specific drills and essays contained therein.
Each member school remains free to grant the rank of Scolaro to its students internally, provided candidates meet the base required criteria. (Each school is free to define other requirements as they see fit.) At-large or study-group members seeking to be ranked by the Society may apply to be tested in the Core Curriculum by any certified IAS instructor, or at an official, IAS conference, and should make arrangements by either contacting their nearest instructor or by emailing the secretary.